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The value of a snappy comeback

Playing music on the street involves more risk than playing on stage. You have to contend with Mother Nature, the grande dame of bitch-mistresses who always sets the thermostat too low or too high and can send out millions of creatures to bite or ooze goo on you. There’s the matter of outdoor acoustics; storefronts weren’t designed for optimum audio reflection, and there’s also noise from traffic both vehicular and human. There’s also the matter of a transient audience — you don’t have them nicely corralled the way you would at a club or concert hall.

Another problem is etiquette. Etiquette varies with surroundings. Put people in a well-appointed symphony or opera hall and dress them in formal wear, and they’ll suppress their coughs until the intermissions. At a jazz concert, people will keep their conversations down to whispers or low murmurs. A bar has to be incredibly divey before anyone would even dream of hopping up on stage and joining the band (WARNING: Not safe for work — nudity and general sleazy content).

The street is something else entirely. There’s a kind of tragedy of the commons that applies to etiquette out there — the street doesn’t belong to anyone, so any kind of behaviour generally goes. For the most part — and this goes double for Canada, double that for a busker-friendly city like Toronto and double it once more for Queen Street West, where I’m reasonably well-established — street audiences are pretty good. They’re friendly, they’ll chat with you, they’ll even apologise if they haven’t any change to spare and if you’re a very lucky accordion player, you’ll even get smooched every now and again. With tongue, even!

You will also get the occasional jerk. It can’t be avoided, and it’s something with which you’ll eventually deal.

Most can be talked down or dismissed. There’s the person who’s miffed because you don’t know the chords or words to their favourite song. There’s the street kid who feels that you’re interfering with his God-given right to the spare change in everyone’s pockets. There’s the bald guy who wanders up and down Queen Street yelling about Jewish/Arab conflicts. There’s the skinny dude who is always convinced that I have in my possession a pound of weed and why couldn’t I be a dude and give him some?

Then there are the assholes. Once an old Eastern European woman looked at me with eyes of fire and said that a “Chinese should not be playing the accordion. Only Polish.” She even gave me the finger. Kiss my dupa, ma’am.

And last night, some guy who was a combination of angry drunk and frustrated drunk (when he wasn’t giving me a hard time, he was annoying a woman for not giving him an easy time) kept walking up to me and asking me “Why are you doing this, man? You’re annoying me. Stop it.”

To which I replied: “Hey, jackass — do I go to where you work and slap the dick out of your mouth?”

(Thank you, Mr. Show, for that line.)

His friends got a good laugh out of it, dragged him away and gave me a fiver.

Never underestimate the value of a snappy comeback.

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P minus 10 hours and counting…

Looks like we’re going for the record for “number of people that have occupied this house”. 102 people responded with a “yes” to the eVite for tonight’s birthday party, and yeah, I know most of them.

I don’t know how many people will be here simultaneously. This is the party season, so my guess is that people will be coming in at various times throughout the night. That should ease the congestion a little.

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A busy day on the other blog

Lots of articles in The Happiest Geek on Earth today:

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Suggested format change

This little exchange has been sitting in the backlog for too long now. I thought it was an appropriate thing to post, seeing as this blog’s first anniversary is Sunday…

“You should make your blog more kiss-and-tell,” Cory told me at his birthday party this summer.

Telling tends to cut off the kissing,” I answered.

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I couldn’t resist

This week in the online comic Achewood, Ray the thong-wearing cat sold his soul in exchange for a piano and incredible music talent. I couldn’t resist doctoring today’s comic, in which Roast Beef says that his computer programming isn’t as good as Ray’s new-found piano talents. I couldn’t resist doctoring the last panel:

Graphic: Slightly altered Achewood comic.

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Happy birthday, Aaron!

Photo: Aaron Swartz.

Aaron Swartz. Taken the the O’Reilly Emerging Tech Conference, May 2002.

Happy birthday to fellow geek, blogger, Scorpio and all-round deep-thinking guy Aaron Swartz! Hey, Aaron, if I had any money to spare, I’d buy you something from your Amazon Wish List. Maybe someone out there with two coins to rub together will.

A quick blurb from the birthday entry in his weblog:

In the US, we have a tradition that when you blow out the candles on your birthday cake, you should make a wish. Every year, as far back as I can remember, I’ve wished that I would see another birthday. It’s not that I’m afraid of dying, I just liked living.

Well said.

If they ever form a superhero team called “Aqua Teen Hacker Force”, my money’s on Aaron for its leader.

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The Magic of Cory Doctorow

Cory’s given me so much Googlejuice that I’m only too happy to return the favour. (This is why I sometimes refer to the world of blogs as “the Sycophantic Web”.)

He appears in an interview in today’s SXSW Festival Tech Report. A sample question:

A lot of Canadian expatriates such as yourself are doing wonderfully creative and innovative things in terms of new media and the Internet. Do you have any explanations or insights here? Is there something in the water north of the border?

Yes, we are taking over. We will eventually own the entire world.

Actually, Bruce Sterling thinks there is something unique about the Canadian perspective. In the introduction he wrote for my new short story collection “A Place So Foreign and Eight More” that is coming out in March, Bruce points out that being Canadian gives you a built-in window to the creepiest kind of alien of all, which is the alien that is almost just like you but is completely different.

I don’t if you saw it, but there was a story titled “The Uncanny Valley” that went around the blogging universe in October. According to this bit of research on human perception and cognition, people of all cultures respond very positively to humanoid artifacts, so long as they aren’t all that humanoid. So, Mickey Mouse or other sort of furry objects or certain robots are ok. But, that kind of warm response decreases sharply as the object becomes more humanoid. Then there is a point at which an object becomes too humanoid. If it looks a lot like a human but it isn’t quite a human, then people react to that with complete revulsion: think of zombies or of the cenotaphs in Clive Barker’s Hellraiser. So, the creepiest alien of all is the thing that you can recognize as being you, but isn’t you.

I agree with Bruce. I think Canadians have this built-in point of view on America. Because you guys talk like us, you look like us, you listen to the same music as we do. Your culture is a lot like ours. But you are different in a lot of really strange ways. I don’t think it is a coincidence that Marshall McLuhan came out of Canada. I think that that was an almost inevitable occurrence. Because it takes being at 30 degrees off true to really see something clearly. It is hard to see something clearly when you are in the belly of it.

I also think that Canada had a couple of advantages at the beginning of the new economy. Socialized medicine allowed people to quit their jobs much more readily and pursue freelance life. So, there are a lot of people like me who dropped out of school and quit their jobs and just went off and did freelance Internet stuff without having to worry too much about the consequences. I think that fostered a kind of extended adolescence where people didn’t have to get involved with button-up corporate stuff. People could remain a lot more free and more inventive and more innovative as freelancers than their American compatriots.