Here’s the first of my notes from last night’s session with Joel Bakan, author of The Corporation. More later today.
Innis TownHall Theatre was packed solid, even with the extra
folding chairs that had been set up. It was decided to open the
balconies which ran the length of the sides of the theatre. Eldon and I
took seats on the atrium steps to the near the front of the theatre,
just to the right of the seats.
They first showed the trailer for the movie, followed by clips. Among the clips were:
“Bad Apples” Sequence: A rapid-fire series of jump-cuts from news
programs in which various interviewees kept saying that the scandals of
2002 (Enron, Worldcom, Arthur Andersen, et. cie.) were either “just a
few bad apples” or “not just a few bad apples”.
talking about the cognitive dissonance between the products we make and
the effects they have, citing his family’s history of working on th
elines at General Motors.
talking about the epiphany he had. His discovery that his business —
carpet tiles — was not an asset to the planet and not sustainable.
This discovery, in his own words, was “a spear through his heart”.
Chomsky
, complete with the finger-wagging that is his stock in trade,talking about the difference between the individuals in corpoations —
very nice people — and the corporations as entities — not very nice.
running through the mind of every trader who wasn’t in the World Trade
Center on 9/11 was “How much is gold up?”
talking about how her book and her studies were not about helping
parents cope with nagging, it’s to help us help kids nag more
effectively in order to sell more children’s products. “Is it ethical?”
she asks, with a grin. “I don’t know.”
came to the conclusion that the reasons why the Canadian Constitution
had little or no impact on social justice was that the rights specified
within dealt with the behaviour of the goverment towards people.
Corporations have more power over people these days.
Mark Ackbar (co-directed “Manufacturing Consent”), who said “Why don’t
I make a film about the book?” “The book doesn’t exist.” from this came
the idea to write the book and make the film simultaneously.
as a lawyer, he is trained in the art of persuading people of certain
things (“often you have to do this for thing you tyourself don’t
believe.”)
can’t just walk to Sony or Miramax and say you want to make a film that
says their institution is psycopathic. He talked to public companies.
has two theories as to why they were turned down: the film idea was (a)
too edgy (b) not edgy enough. He thinks that both were true.
film couldn’t have been made in the US where public broadcasting is
heavily funded by corporations. Testament to the value of public
broadcasting and the public sphere.
Ackbar got a sattelite dish and taped news channels in the wake of the
Enron/Worldcom scandals for source material for this sequence.
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