Way, way back — I’m talking about twenty years ago — my friend Yann and I decided to go catch one of Reg Hartt’s Sex and Violence Cartoon Festival shows. For those of you who aren’t from around Accordion City, Reg is one of the city’s better-known eccentrics — he’s a film and cartoon buff who likes to show his collection of rare films. If you walk around some of the city’s hipper streets, you’re likely to see a poster for one of his screenings.
Yann and I had decided that after years of seeing these posters plastered all over town, we should actually attend one of these events. Reg now hosts his film screenings at his house, but back in the late eighties, he held his movie nights at the Cabana Room, which was the upstairs bar of the Spadina Hotel, which was located at the corner of King and Spadina. Today, that corner is both a nightclub and dining destination as well as home to a number of fancy offices and condos, and the Spadina Hotel has since closed and turned into a backpacker’s hostel. The corner is a yuppie haven now, but back then, it was considerably more seedy.
That upstairs bar was the sort of place you’d expect to see Charles Bukowski challenging Mickey Rourke, Harry Dean Stanton and Tom Waits to a shooter-drinking contest. It was delightfully divey, and populated with an assortment of interesting characters, from hard-drinkin’ old men to the not-quite-legal-to-drink (the legal age here being 19) spiky-haired punk and alternative rock crowd who’d spilled over from Queen Street, which was then a little edgier than it is today. The place looked like it hadn’t changed since the early 1960s. My favourite creature comforts there were the air conditioning — possibly the best in town, next to the bone-chiller at Sneaky Dee’s, then located in The Annex — and the Jiffy-Pop cooker on the bar, which was a hot plate rigged with Jiffy-Pop branding and a mechanical arm that shook the Jiffy-Pop package side-to-side as it cooked.
The Sex and Violence Cartoon Festival featured all sorts of old cartoons dating from the 1940s through the 1970s that you could no longer show in most places for their racy (and sometimes racist) content. One of Yann’s and my favourites was Thank You Mask Man, a cartoon based on a routine by Lenny Bruce, in which Lenny himself does the voices. It’s about what happens when the Lone Ranger decides to accept the thanks of the townspeople he saves, with hilarious — and very profane (especially considering the time) — results.
Thanks to this entry on MetaFilter, I know that someone put Thank You Mask Man on YouTube. Watching it makes me feel like I’m drunk and 19 again. Watch and enjoy, but be forewarned that this is a Lenny Bruce routine:
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It's not going to give you the same culture vibe but there's a series called "Spike & Mike's Sick & Twisted" that came out annually in the nineties that's along the same lines, socially questionable animation.
This is not to be confused with "Spike & Mike's Festival of Animation" the much tamer collections of alt films that spawned Sick & Twisted from it's sweaty underbelly.
Thank you Accordion Guy! I saw this upstairs at Sneaky Dees many years ago. For years, everytime one of our gang asked "Why?" someone would respond "To perform an unnatural act!"