Month: June 2008

“‘Big Science’ is always suppressing The Truth with their blatant pro-evolution anti-wacko agenda,” says the site for the “Teach the Controversy” t-shirts. “From the fact that UFOs built the pyramids to the reality of creationism and fact the universe is ‘Turtles All The Way Down’. It is time to fight back and urge schools to Teach The Controversy with these intelligently designed t-shirts…”

Order ’em all for your science pals!

Here’s a scan of Friday’s edition of the UK paper The Daily Mirror:

The sign outside Royal Meats Barbeque.

If you’re in Accordion City and out Etobicoke way and looking for a good burger/ice cream combo, I recommend visiting Royal Meats Barbeque for the burger and Tom’s Dairy Freeze for dessert.

Royal Meats Barbeque

The folks at Royal Meats have added their own Serbian twists to the traditional burger joint:

• They’re a meat company that happens to operate a restaurant. The owners are a family who’ve had a butcher shop in Mississauga — Royal Meat Products at Cawthra and Burnhamthorpe — for decades. This background is evident when you walk in, because you place your order at a glass butcher shop counter where you can see the fresh meat that will eventually go into your sandwich. You’re not going to be eating something that’s been frozen and then thawed.
• Their burger mix is closer to a European meatball than your standard North American burger. Their signature burger is a mix of pork and veal. It’s an interesting change from straight beef, and it’s juicy and tastes great.
• Instead of the traditional burger bun, they use lepinja. Lepinja is Serbian flatbread that’s kind of like a slightly more substantial pita without a pocket. It’s freshly baked, and when toasted, it gets crispy around the edges, which is a nice touch. On its own, lepinja is delicious; in a burger, it’s outstanding.
• Good toppings. In addition to some fresh-looking standards like lettuce, onions, tomatoes and pickles, they offer some interesting sauces: Royal Sauce, which is a mix of feta, red peppers and onion, and kaymak, a rich cream sauce that does a great job of replacing cheese (they don’t do cheeseburgers). I generally like my burger with both sauces.
• Great fries! I’ve been to many burger places that make a great burger but completely fall down with their fries. Not Royal: their fries are made with potatoes with the skin still on, and are crispy outside and fluffy inside (which suggests that they’ve been boiled first, then fried). These are fries worthy of the burger they accompany.
• Generous portions. The sandwiches come in two sizes: the half-pound, which should satisfy most people, and the full pound, for when you’re really hungry. They always offer to cut your sandwich into two, so you can always share with a friend. The serving of fries is also generous.
• No heat lamps! Burgers are cooked as you order them. It means that you’ll wait a few minutes for your order (they’ll give you one of those restaurant pagers), but you’re going to get a burger fresh from the grill.
• They put a lot of work into the place. The restaurant itself is a step up from a typical burger joint. With its granite flooring and walls, halogen lights, custom signs, tables and chairs, and bathrooms that would be at home at the Drake Hotel lounge, it could easily pass for a cappuccino bar if it weren’t for the open kitchen featuring a giant grill. They also work hard at keeping the place clean.

Their location isn’t exactly convenient unless you’re travelling by car (they’re at 710 Kipling, just north of the Queensway), but if you were planning to do a run to the nearby Costco, IKEA or Sherway Gardens, it’s a worthwhile detour. I can’t recommend this burger joint highly enough, and the foodies over at Chowhound agree with me.

I’ve included a screenshot of their menu below — it comes from their website:

Click the menu above to visit Royal Meats Barbeque’s site.

Tom’s Dairy Freeze

Tom’s Dairy Freeze, as it appeared last night.

After a burger and fries at Royal Meats, a five-minute drive will take you to Tom’s Dairy Freeze, located at 630 The Queensway. It’s an old-school independent soft-serve ice cream shop that’s been there forever. Their soft serve tastes creamier than either Dairy Queen’s or that goo that comes from the ice cream trucks, and the whole “retro”/small town feel of the place is a ice bonus. I’m fond of the large hot fudge sundae, which is an impressive tower of soft serve.

My large hot fudge sundae at Tom’s.

If you’re in the west end of town this summer, make sure you give this combo a try!

…is A bill to save Kill Bill rights, written by Terence Corcoran, in defence of Bill C-61. Corcoran needs to be pummelled savagely with the clue bat many, many times.

I’m certain I will rant more later.

This weekend at Nathan Phillips Square, the Filipino Centre Toronto will be hosting Pistahan sa Toronto, a celebration of Filipino culture, timed to coincide closely with Philippine Independence Day. There will be a large stage featuring all sorts of Philippine cultural performances as well as the “Philippine Idol” singing contest. In addition, there will be all sorts of vendors selling some really tasty Filipino food!

Tickets for DemoCamp 18 (which I announced yesterday in this article) are getting snapped up very quickly. The first batch of 100 General tickets — those are the free ones — are gone, and all the sponsorships have also been purchased. I’m glad to see that the community’s still into DemoCamp!

Here’s a breakdown of the tickets, which are available at DemoCamp’s EventBrite site:

Ticket Type	Cost	Number Remaining
Community Supporter These for people who’d like to “give back” and help DemoCamp by sponsoring it with a paid ticket. You’ll be helping build Toronto’s tech community for a little more than the cost of a Venti latte at Starbucks.	$5.00 + 99-cent fee	67
Community All-Star These for people who’d like to “give back” even more and help DemoCamp by sponsoring it with a slightly more expensive paid ticket. It’s still cheaper than going to the movies, and you’ll probably learn more!	$10.00 + 99-cent fee	24
General Free admission! Maybe you’re a student. Or perhaps you want to see what DemoCamp’s all about. Or perhaps you’ll save your money for drinks at the venue. It’s all good. Alas, this first set of 100 tickets got snapped up in less than 24 hours after the announcement.	Free	Sold Out
General (June 24th release) This next batch of free admission tickets — another 100 — will be made available on June 24th.	Free	100 General tickets will be made available on June 24th
Sponsor If you’re a company or a generous individual, you can really help out the Toronto tech community by purchasing a sponsorship. Compared to other conferences and gatherings, these sponsorships are dirt cheap. Unfortunately, they all got snapped up within 24 hours of the announcement.	$200.00 + $5.00 fee	Sold Out

We’re doing our level best to keep these events free. None of the DemoCamp stewards — me, Leila Boujnane, David Crow, Jay Goldman, Greg Wilson — make a cent off DemoCamp; our stewardship is a strictly volunteer effort. All the money goes towards covering the cost of the venue.

As we say on the ticket purchase site:

Keeping DemoCamp free is an important part of what makes the event so accessible and we hope to be able to do so for as long as possible. As the turnout has increased and the venues have grown, the cost of mounting the event has also increased. If you feel that DemoCamp brings you $5 or $10 worth of knowledge, fun, experience, or community, skip that Starbucks run and buy one of the Community Supporter or Community All Star tickets. Thanks!

A new block of free tickets will be made available on June 24th, but there are still a good number of $5 and $10 tickets still available as of this writing. If I were you, I’d get my ticket now.

The new Canadian copyright bill, Bill C-61, was not written for you and me. Canadians with a stake in this law, ranging from customers (I try not to use the term “consumer”) to libraries and educators to artists, record companies and other entertainment industry groups — were not consulted. Bill C-61 was written to the specifications of U.S. officials and American entertainment industry lobby groups, who pressured the U.S. government of approving the Digital Millennium Copyright Act, a law that has been used by the music and movie industry as an excuse to harass customers and turn litigation into a profit center.

Goodbye Backups, Hello Paying for Multiple Copies

One of the provisions of Bill C-61 is that you are allowed to make a backup copy of a legally-purchased CD or DVD or transfer it to your MP3 player or computer for personal use — if and only if there isn’t a digital “lock” that prevents such backups. If a song or movie has some kind of copy protection scheme, that allowance is gone.

The practical upshot of this is that the watching your DVD of Harold and Kumar Go to White Castle is perfectly legal if you pop it into your DVD player, but illegal if you copy it over to your iPod for viewing on your next business trip. The movie studio would rather you bought another copy, which would only be authorized for play on your iPod. And that mix CD you were planning to make for the car for your roadtrip to the cottage? You’ll be breaking the law for each song that you transfer from copy-protected sources. Want a backup copy of your hi-def The Seven Samurai DVD because you love the film so much and want to keep the original in a safe place? The industry has a simple solution: buy another! Making a backup copy’s illegal, after all.

As we move to systems like iPods and PVRs, the industry is also making moves towards per-device licensing. Their ideal would be for a movie that you purchased via download on your computer be licensed only for that computer; if you want to view it on your Tivo, you’ll have to purchase a copy for your Tivo.

For the entertainment industry, this kind of law is a great deal. They don’t have to do any real work — they can slap any old lame copy-protection scheme on their wares, even ones that have been outmoded. The minute you circumvent that copy protection — which is essentially just a way of squeezing as much money from you as they can — they can use the legal system to squeeze as much money from you as they can.

Goodbye VCR Features

Another provision of Bill C-61 allows you to record television shows on your PVR. That is, if the broadcaster doesn’t disallow recording, which it can do by embedded a “broadcast flag” within the signal — a digital signal that tells your PVR that it’s not allowed to record the show, because that will cut into sales of the DVD box set of the show that they’ll eventually release. In other words, in many cases, your PVR will actually be less capable of recording shows than its clunkier, lower-fidelity predecessor, the VCR.

Here’s another way the VCR has an edge over the modern PVR: with a VCR, you can keep a permanent library of your favourite shows, which will last as long as your tapes do. No such luck with a PVR under Bill C-61: PVRs built in compliance with the bill are not allowed to keep a permanent library of your shows. They will be built with a limited amount of storage and with no backup capability, and just to be safe, all shows recorded on a PVR will be deleted if they are kept for longer than a pre-specified amount of time.

A Betrayal

Simply put, Bill C-61 is a legal stick with which the U.S. entertainment industry can use to beat more money out of us by making us pay for the same thing over and over again. It lets the Canadian government abdicate its responsibility for making laws and hands over that responsibility to American record and movie companies, who will treat it as a profit centre. It is, in the words of Canadian internet/e-commerce law expert Michael Geist, a betrayal.

It is not, in the words of Industry Minister Jim Prentice, a “balanced approach to truly benefit Canadians”.

What You Can Do

I’m borrowing this list from Michael Geist:

1. Write to your MP, the Industry Minister, the Canadian Heritage Minister, and the Prime Minister. If you send an email, be sure to print it out and drop a copy in the mail. If you are looking for a sample letter, visit Copyright for Canadians.
2. Take 30 minutes from your summer to meet directly with your MP. From late June through much of the summer, your MP will be back in your community attending local events and making themselves available to meet with constituents. Give them a call and ask for a meeting. Every MP in the country should return to Ottawa in the fall having heard from their constituents on this issue.
3. If you are not a member of the Fair Copyright for Canada Facebook group, join. If you are, consider joining or starting a local chapter and be sure to educate your friends and colleagues about the issue.

Recommended Reading

• Michael Geist: The Canadian DMCA: A Betrayal
• Boing Boing: Canadians: write to your MPs about Canada’s disastrous new copyright bill
• The Register: Canada moots tough sanctions for DRM flouters
• Ars Technica: “Canadian DMCA” brings “balanced” copyright to Canada
• TechDirt: It’s Baaaaaack. Canadian DMCA On The Way
• Digital Copyright Canada
• The National Post’s “Full Comment” blog: Marni Soupcoff: Blogosphere reaction to Canada’s proposed Copyright Act