I like Mark McHugh’s theory that M.C. Escher’s art was in fact his representations of economic theories. For example, here’s trickle-down economics (the very mention of which always causes me to say “Laffer? You brought her!”):
This one’s for sustained growth:
And this is deficit financing:
Oh, my sweet summer child, do you not know about the “Loofah Code” in The…
...and by that, I mean, being completely ignorant of the larger world outside the U.S.…
Wednesday, August 7, 1991: A sunny day at Toronto’s CNE Grandstand, and what a lineup:…
The cover painting says it all.
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