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Star Wars (Episode IV: A New Hope), with its dialogue sorted into alphabetical order

force

This video shows the first (or fourth, depending on your point of view) Star Wars film — Episode IV: A New Hope — recut so that its dialogue is sorted into alphabetical order. Each word is displayed on screen along with a count of its occurrences in the script. It runs 43 minutes and change, although you probably wouldn’t want to sit through the entire thing:

Everyone associates lightsabers with Star Wars, so you might be surprised that the word is used only once in the film:

lightsaber

Even Wedge — one of the few rebels who survives the original trilogy — gets mentioned more than lightsabers in the first film:

wedge

This is a project you wouldn’t want to do purely manually. If I were assigned this task, I’d write a program that would make use of the subtitle file to identify and sort every word in the dialogue, and the approximate time — give or take some fractions of a second — when each word is uttered. Courtesy of the people behind the Matroska file format for videos, here’s a sample of a subtitle file, which should give you an idea of the information they hold. Oddly enough, it features dialogue from another Star Wars film:

1
00:02:17,440 –> 00:02:20,375
Senator, we’re making our final approach into Coruscant.

2
00:02:20,476 –> 00:02:22,501
Very good, Lieutenant.

 

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The “slavery wasn’t THAT bad!” book review in The Economist, the hashtag that came from it, and some observations

The review and its withdrawal

the half has never been told

You can generally count on The Economist to provide an amusing, and sometimes educational read, even when they’re trying a little too hard to be glib and clever-clever in that Oxbridge upper class twit kind of way. However, there are exceptions to every situation, and such an exception reared its ugly head Thursday night online and in print in the September 6th edition. That’s when they published an uncredited review of Cornell history professor Edward Baptist’s book, The Half Has Never Been Told: Slavery and the Making of American Capitalism.

Here’s a screen capture of this execrable article, complete with a photo of Lupita Nyong’o playing her role of “Patsey” from 12 Years a Slave — who was both a slave and a concubine to her white master — with the caption “Patsey was certainly a valuable property”:

economist book review screen capture

The Economist’s anonymous reviewer or reviewers hated the book, their complaint being that it cast slave owners in a bad light. The two final paragraphs of their writeup serve as both a summary of their opinion and as an example of bigoted sophistry that will be cited in writing and ethics classes for decades to come:

Mr Baptist cites the testimony of a few slaves to support his view that these rises in productivity were achieved by pickers being driven to work ever harder by a system of “calibrated pain”. The complication here was noted by Hugh Thomas in 1997 in his definitive history, “The Slave Trade”; an historian cannot know whether these few spokesmen adequately speak for all.

Another unexamined factor may also have contributed to rises in productivity. Slaves were valuable property, and much harder and, thanks to the decline in supply from Africa, costlier to replace than, say, the Irish peasants that the iron-masters imported into south Wales in the 19th century. Slave owners surely had a vested interest in keeping their “hands” ever fitter and stronger to pick more cotton. Some of the rise in productivity could have come from better treatment. Unlike Mr Thomas, Mr Baptist has not written an objective history of slavery. Almost all the blacks in his book are victims, almost all the whites villains. This is not history; it is advocacy.

The article is bad enough in and of itself. At a time when America is still feeling the after-effects of its slaver history, from the continued activities of the Tea Party to Ferguson, publishing it is…well…

evilest

Needless to say, all their equivocating — which boils down to “Of course people who were treated as sub-human farm equipment because of the color of their skin were going to be biased against slavery!” and “Sure, they were whipped, but not so badly that they couldn’t produce higher cotton yields!” — led to complaints aplenty from the still-sizable non-Klan portion of the internet, and The Economist withdrew the review. To their credit and in “the interests of transparency”, they left the text online (but thankfully removed the photo of Patsey along with that terrible, terrible caption), along with doing some editorial distancing:

There has been widespread criticism of this, and rightly so. Slavery was an evil system, in which the great majority of victims were blacks, and the great majority of whites involved in slavery were willing participants and beneficiaries of that evil.

The #economistbookreviews hashtag is born

economistbookreviews

In the age of social media, you have more options than writing a letter to the editor (although I’d still recommend doing so, just to make sure that they get the message), and thanks to this fact, the #economistbookreviews hashtag was born. On Twitter, it accompanied imagined book reviews written with The Economist’s ruthlessly amoral sensibilities:

Some observations

book in chains

These days, many people use the internet to inform their purchase decision-making, and it’s often the reviews that help tip the scales in the buy/don’t buy decision. If it was The Economists’ reviewers intent to kill the sales of this book for having the temerity to suggest some white people’s ancestors treated black people like beasts of burden, it’s likely backfired. The review has been covered in the Washington Post’s blog, Talking Points Memo, Slate (who give some advice, including the obvious “Don’t use movie stills in a review of a book about slavery”), The New Statesman, Poynter, Business Insider, and even Gawker.

but its capitalism

History professor Will Mackintosh has an interesting explanation as to how the review survived editorial scrutiny, and why the visceral response to it seems to have taken them by surprise:

Here’s my theory: as a magazine, The Economist is perhaps the most articulate, erudite defender of the neoliberal capitalist order. They are too smart to waste their time as Laffer curve snake-oil salesmen or crude economic nationalist (cough cough, Wall Street Journal, cough cough), but nevertheless, the main commitment of their reporting and their commentary is to defend late modern global capitalism as an economic and moral good. Think Davos, not the Tea Party. And that’s why they don’t like Baptist’s book: it demonstrates unequivocally that modern capitalism was born in blood. Let me say that again: whatever else you might say about capitalism, it took on its characteristic modern forms of capital accumulation and labor “management” in the context of American slavery. For a group of journalists with a deep, almost unarticulated commitment to modern capitalism’s fundamental benevolence, this is an uncomfortable truth indeed.

Hence the critical review, and the particular nature of The Economist‘s criticisms. The book has to be wrong, because if it isn’t, then capitalism isn’t an inherently moral economic system. And it has to be wrong specifically in its description of how capitalism exploits labor. The review has to hold out hope that slavery provided incentives for slaveowners to treat their slaves better, that “the rise in productivity could have come from better treatment,” because otherwise, the book gets uncomfortably to the reality that modern capitalism gets its increases in productivity at the expense of its workers, too. That last point is pretty obvious to anyone who’s been paying attention since 2008 (well, and since the 1970s), but it’s one that The Economist’s ideological commitments can’t allow it to confront. And that’s why we got such an ugly and weird review of Baptist’s book … and why they withdrew it, with such apparent bewilderment.

cotton plants

A blogger going by the nom de plume of Pseudoerasmus Boukephalos, whose primary interests are “economic growth, history & development, plus the related issues of political and social modernisation” also read the article and took a tack removed from any of the moral issues involved. He decided to challenge the book’s thesis that it was the judicious and careful use of beatings that boosted the cotton yield:

The Economist‘s elf was lazily speculating, a priori, about what could have been the determinants of efficiency in southern cotton production. It’s possible the reviewer is familiar with some of the arguments and debates surrounding Time on the Cross, one of whose many controversial arguments was that slaves were becoming ever more valuable property in the antebellum American South and were therefore better treated than commonly supposed. But I doubt that literature is known to the reviewer, because then he would have been familiar with recent research on the sources of increased efficiency of cotton agriculture in 1800-60.

He produces charts that show a 2.3% annum growth in the cotton yield for 60 years straight and argues that you can’t get this kind of boost except through technological innovation. Improvements in cotton harvesting tools along with the introduction of new strains of cotton plant that produced more white fluffy stuff and were taller, and thus easier to pick.

everything you were tauight about the civil war is wrong

Not a parody, but an actual book. Click to see its Amazon page.

If you’ve read this far, go and read this essay: In Defense of Revisionism. Here’s an excerpt:

There was a time, for example, when historians didn’t worry much about the slave trade and the emergence of an economy based on forced labor. Historians likened the plantation to a “school,” and emancipated people as children let out of class too soon. Only slightly more than a half-century ago, historians began to “revise” that narrative, examining sources previously ignored or unseen, informed by new ideas about race and human agency. More recently, scholars have revised 19th-century images of the “vanishing Indian,” a wildly inaccurate narrative that lives on in public monuments and popular lore, and has implications for public policy.

This essential process of reconsideration and re-evaluation takes place in all disciplines; imagine a diagnosis from a physician who does not read “revisionist” medical research.

Revisionism is necessary — and it generates controversy, especially when new scholarship finds its way into classrooms…

economist unpaid internships

In the same Economist issue as the review is an article on internship which has the subtitle “Temporary, unregulated and often unpaid, the internship has become the route to professional work”. I sense a pattern here.

Thankfully, none of their writers have used this to back a retort along the lines of “See? We know what toiling without a wage is like!”

MLK

We shouldn’t let The Economist off the hook so easily, but we should also remember the times when they do listen to the better angels of their nature (and yes, despite my foreign, non-American schooling, I know that’s a Lincoln quote). Last year, in honor of the 50th anniversary of Martin Luther King’s “I Have a Dream” speech, they published an essay that was considerably higher-minded, and which ended with this paragraph:

America’s shameful past is fading. Skin colour is nothing like the barrier it once was. But the “pursuit of happiness” to which King referred is never easy, and never ends.

There’s more in a follow-up article.

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Sign of the day

sign of the day

Click the photo to see the source.

This photo, taken from @TechnicallyRon’s Twitter account, was taken at Covent Garden station on London’s Underground.

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T-shirt of the day

screw your lab safety

Found via Peach Flambee. Click the photo to see the order page.

At $28.00, it’s a bit pricey for what you get. You can probably do better by going to your local “we’ll iron a custom slogan on a blank t-shirt” place.

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Worst. iCloud password. Ever.

i am groot password

Comic via The New Yorker, found via Laughing Squid. Click to see the original.

If you read this blog, you know my take on taking photos of your pelvic sorcery. I should write an article on how to make a decent, more secure password.

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Meanwhile, in Austin…

PUBLISHED by catsmob.com

Found via Catsmob. Click the photo to see it at full size.

Oh, Austin. Please stay weird.

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In defense of the nude selfie

joey devilla receives a pic from a lady

The author, enjoying a saucy selfie sent to him from a special friend.

Attention straight men: Due to some fortunate combination of your looks, likability, and luck, there may come a time when some lovely woman will write you a love note, in either paper or electronic form. If you’re especially lucky, you’ll get a lust note. And, if the stars align and you’ve made a particularly good impression on her, she’ll decide that you’re worth the risk and send you a photo of herself that’s a little more intimate than the usual. I’ve been lucky enough to receive all three kinds of gifts, and I’m grateful for each and every one.

Each of these gifts comes with a certain amount of trust. She, either rightly or wrongly, has some faith that you’ll be a grown-ass man and have the good sense to use the sort of discretion that grown-ass men use in intimate conversations. What she sent was for you and you only, and that trust applies for all time. Even if decades have passed and you’re no longer on speaking terms, what she sent to you was private, and not something to share with your friends for bragging rights or post online because you’ve got issues, had a few drinks and want to score some points in a long-unresolved fight between the two of you.

ecard

Unfortunately, not all adult men are grown-ass men, and that fact, combined with a technology that turns all of us into publishers, is why we have revenge porn. Of the respondents to McAfee’s 2013 “Love, Relationships and Technology” survey, one in ten have “threatened that they would expose risqué photos of their ex online”, and nearly 60% of those people followed through with said threat.

Even if you’re a grown-ass man who treats such gifts with gentlemanly discretion, there are are still men who think of them as trophies to be mounted for the world to see, and will go to very absurd, very disturbed lengths to get them, and then defend themselves by misusing the right to free speech.

Telling women not to send naked pictures of themselves to their lovers is not the answer. Having received my fair share of saucy photos from full-on girlfriends and the occasional amie avec benefits, let me go on the record and say that I don’t want to live in a world where there isn’t a possibility that a special someone might send you a “for your eyes only” selfie.

Such admonishments also miss the point. Perhaps you and your significant others don’t send or store naked photos on your desktop and mobile computing devices, but surely there’s stuff that you’d like kept private. Perhaps it’s love notes, or other correspondence. Maybe it’s pictures of the kids. If you’re reading this blog, chances are that you’ve entered your credit card number onto a web page or have done online banking.
To put it more simply, why is it Jennifer Lawrence’s fault when someone breaks into the servers that store automatic backup copies of her private photos, but not a Target customer’s fault when their automatically-made records of their credit card numbers get stolen?

Part of the problem is that a too-large contingent of guys seem to have bought into Peter Griffin’s maxim about women: “Women aren’t people. They are devices built by the lord Jesus Christ for our entertainment.” Some of them have expressed outrage about the NSA and the government invading their privacy, but don’t seem to have any issue with someone invading an actress’ privacy. After all, the former is a violation of my rights as a citizen of a free country, while the other is just me getting some harmless stroke material thanks to some chick being stupid, amirite?

your porn collection

I bring up the topic of “stroke material” because I want to point out the fact that the internet is chock full of places where you can see naked women, and not just in still photos, but full motion pictures, and even in high definition! Hard to believe, but true. Better still, they’re doing it willingly. The problem is that for some guys, the “willingly” part just isn’t fun enough.

As David Futrelle points out on his excellent blog, We Hunted the Mammoth (a site devoted to skewering misogyny and the very messed-up culture of Men’s Rights Activists in particular):

The enthusiasm with which so many male Redditors – and skeezy dudes in general – have greeted this latest leak of celebrity pics makes one wonder if it is not the celebrity of the women in question that is the draw but the lack of consent. After all, there are plenty of other celebrity nudes out there that the celebrities in question consented to have taken and published.

erin andrews

Do you remember the story about the video featuring sportscaster Erin Andrews from 2009? It wasn’t a video she made, nor was it acquired by figuring out her password or electronically breaking into a computer. A sorry-ass sleazebag by the name of Michael David Barrett stalked Ms. Andrews, booked a hotel room next to the one she was staying in (which required the cooperation of some hotel staff), and shot video of her through a series of peepholes. It was posted online, and went viral because a lot of guys thought that their need to see Ms. Andrews nude trumped her need for privacy. It’s all part of a mindset that goes “She’s pretty, she’s famous, and she owes me some skin.”

Barrett ended up doing two and a half years in prison, which oddly enough, has led online “creepshot” forums to be very protective of the privacy of people who violate women’s privacy. Here’s what the subreddit (Reddit-speak for a subsection of the site) featuring Jennifer Lawrence’s image provides as a warning to would-be snitches:

DO NOT POST ANY INFORMATION, TRUE OR FALSE, ABOUT THE IDENTITY OF THE PERSON(S) LEAKING THESE PHOTOGRAPHS AND VIDEOS. IF YOU DO THAT YOU WILL BE BANNED FROM THIS SUBREDDIT.

1349973813_bon-fire-gasoline

The creeps live in a paradoxical state of both wanting to be with a woman and holding them in utter contempt. They get their kicks from violating women’s privacy, and you’re only feeding their fire by looking at the photos they’re circulating and parroting their “You took those photos, it’s your own damn fault” line. Don’t do that.

Instead, live your life in such a way that someone will find you worthy of a saucy selfie. Trust me, it’s a wonderful thing to get.