While I agree he had to be removed, he did give the fake English pub a little authenticity. After all, what’s more quintessentially British than having your steak and kidney pie and stout interrupted by a drunk and unruly patron flailing with a dumb improvised weapon while getting ejected from the premises?
“‘From the investigation which has been made, it is the opinion of the writer that this case is not suitable for prosecution,’ assistant state attorney Aseal Morghem wrote in a court filing, and the court case was closed.” He got off lightly, and quite probably, whitely.
Last night was the museum’s annual fundraising gala, and as people involved with the museum, we got a sneak peek at the 65 million year-old, RV-sized fella, and he was impressive.
More photos (including one with my ridiculous triceratops mask) later.
We’ve just come from a “hot glass date” at Susan Gott’s glass workshop, which is conveniently located in our neighborhood, Seminole Heights. We opted to make a fluted bowl together, and I’ll post pictures of the finished work once it’s cooled off in the annealer.
The photo and question above are taken from everyone’s favorite suburban white flight and paranoia social network, Nextdoor.
If you’re a regular reader of this blog, you’ve probably already identified the flag as that of the Rebel Alliance, a.k.a Alliance to Restore the Republic, from Star Wars. The red symbol — known by hardcore fans as the “starbird” — first appeared on the helmets of the fighter pilots who made the desperate attempt to destroy the Death Star in A New Hope (a.k.a. “the original” to those of us who saw it in the theatre during its original release). It’s since found its way into all sorts of Star Wars stories.
It depicts Black people, led by Martin Luther King, Harriet Tubman, and Malcolm X, being covered up with white paint by an unidentified White man with a roller.
It’s the perfect painting for the present moment, when Florida under Governor Ron DeSantis is:
The artwork and the artist, Jonathan Harris. Photo courtesy of Jonathan Harris.
Here’s Jonathan Harris’ bio, taking from his site:
Jonathan Harris (b. 1988) is a visual artist who was born and raised in the city of Detroit. After attending the Detroit School for the Fine and Performing Arts, he attended Henry Ford Community College, Antioch College, and Oakland University, where he majored in Graphic Design and minored in Studio Art. Oil paints, acrylics and charcoal are his media of choice. He has perfected and become known for an oil enamel technique, resulting in graphic, high contrast portraits, without the use of a brush.
Jonathan’s work is emotive, with a focus on current events and the African American experience. Bringing awareness to social and world issues, in addition to instilling pride in the Black community, are goals that he strives to accomplish through his visual and curatorial work. Harris and his works have recently been featured extensively in the press, including on PBS American Black Journal, PBS One Detroit, CBS Local, and in the Detroit Free Press, Michigan Chronicle and Oakland University Post. One of the artist’s latest paintings, Critical Race Theory, created in response to recent controversy over the same subject matter, has garnered responses and sparked conversations across social media platforms around the world.
Harris’ art currently resides in prominent collections, including the N’Namdi Center for Contemporary Arts, David and Linda Whitaker, and Michigan State Representative Shri Thanedar. He served as a juror for Canvas Pontiac 2022, and his work has been exhibited at Swords to Plowshares Gallery. He has shown in and curated special exhibitions at Irwin House Gallery, as well as the BONDED exhibit at Beacon Park, along with a team of distinguished Detroit arts professionals.
In 2022 Jonathan Harris was named one of 2022’s Influential Artists To Watch by the Detroit News, and received The Spirit of Detroit Award from the City Council of Detroit, Michigan.
I ordered a signed print, framed it, and hung it up proudly in my home office:
My office, looking towards The Desk Where it Happens. Tap to view at full size.
