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Accordion, Instrument of the Gods In the News It Happened to Me Toronto (a.k.a. Accordion City)

Andrew "Rocketboom Guy" Baron’s Visit, Videos and Glamour Shots

Here’s a long entry on Drew “The Rocketboom Guy” Baron’s visit to CaseCamp last Friday, which includes links to the videos I shot of his presentation, why I took them down and then later put them back up, my take on Amanda’s departure and finally, a glamour shot of Drew.

As I said, this one’s long, so grab your favourite beverage and dive on in!

Contents

CaseCamp Explained

On Friday night, Wendy and I attended our first CaseCamp, a monthly gathering of Accordion City’s marketing types, in which marketers do a “show and tell” presentation of their current project in front of a group of their peers. As such, it’s the marketing analogue of DemoCamp, a similar event in which techies and software developers do presentations of their current projects.

Both CaseCamp and DemoCamp are the children of BarCamp, whose initial inspiration was the invitation-only Foo Camp, both of which are “unconferences” for people interested in computer technologies. I cover the origins of Foo and Bar Camps in a blog entry titled BarCamp Explained.

Friday’s CaseCamp took place at the Gardiner Museum of Ceramic Art, the not-quite-completed new museum across the street from the Royal Ontario Museum. The gathering itself took place in the “Jamie Kennedy’s Kitchen” restaurant located on the top floor of the museum, a very open glass-and-wood space that provides a great view of the Royal Ontario Museum, Planetarium, Queen’s Park, the northern end of the University of Toronto and our downtown skyline.

Rocketboom Explained

Rocketboom (here’s its Wikipedia entry) is a popular video blog that has a format similar to a television news show and often covers its stories in a satirical style. You could consider it the internet descendant of The Daily Show or Saturday Night Live’s Weekend Update segment. Rocketboom launched in October 2004 and jumped from hundreds to tens of thousands of viewers in less than a year. It’s been featured on both internet news sites (Wired News recently featured it in a piece called The Vlog World’s Greatest Hits) and traditional media (it’s been featured in BusinessWeek, The New York Times, CBS News’ Eye on America and even featured in an episode of CSI).

One key ingredient in the success of Rocketboom is its anchor, Amanda Congdon (see the photo on the left), whose appearance, writing and delivery style have played a large factor in the show’s success.


Rocketboom. That’s Amanda Congdon on the left, and Drew Baron on the right.

The other half of Rocketboom’s creative team is Andrew “Drew” Baron, who posted the New York Craigslist ad for a news anchor which Amanda answered. Drew’s contributions are largely behind-the-camera, ranging from Rocketboom’s original concept to writing to directing.

The Split

If you’d rather not plough through all the hoo-hah about what happened, here’s the “executive summary”: on Wednesday, Amanda posted the now-famous video blog entry, Amanda UnBoomed in which she states that she was fired from Rocketboom and now living at her parents’ house while contemplating her next move. Drew’s response, posted on the Rocketboom site, was that Amanda wasn’t fired, but left to pursue her original career goal: becoming an actress in Hollywood.

The story has gone beyond the internet and has been covered by the mainstream press, each with their own pun on “Rocketboom”:

Even distant news organizations such as the Taipei Times deemed the story worthy of their attention.

Drew Comes to CaseCamp

Drew was booked a few weeks in advance to come to Toronto and present his marketing case at CaseCamp. In light of this week’s happenings, it was expected that he’d cancel his trip to deal with the fallout. I was rather surprised when CaseCamp organizer Eli Singer told me in an email on 4:30 Friday afternoon that Drew was still presenting at CaseCamp that night. Nothing like a little drama to liven up a gathering of marketers!

Prior to leaving for CaseCamp, I was talking about the Rocketboom situation with my co-worker Scott. The conversation went something like this:

Me: Andrew’s problem is that he was behind the camera, and Amanda’s is, well, hot. He could very well be a victim of Andrew Ridgely syndrome.

Scott: Andrew…Ridgely?

Me: You know, the other guy from “Wham”? The two-man band called “Wham, featuring George Michael“?

Scott: [blank stare]

Me: You have no idea what I’m talking about, do you?

Adam, another co-worker: He’s too young to remember that.

Scott: You’re old, dude.

Me: Damned whippersnappers. Kids today, they’ve got no sense of history. We need another Vietnam to thin out your ranks.

We arrived at CaseCamp a little bit early and in addition to a number of people I’ve never met before — I presume they’re marketers, a field to which I am new — a number of the local tech scene’s “usual suspects” were there. Bryce Johnson, David Crow and his wife Kristin Heeney were in attendance, as was fellow Crazy Go Nuts University grad Tom Purves, whom we ran into while looking for where the presentations were taking place.

Also present was “Sleepless” Sutha Kamal, who showed me Rocketboom’s rumoured replacement host on his Blackberry.

“It was posted on the Huffington Post not too long ago,” he said. “Some VJ from MTV Europe.”

“Not bad,” I said, “We’ll have to see how the internet fanboys react.”

Drew’s presentation was the last one of the evening. He opened with “I did have a marketing case to present, but I think there’s one that might be a little more interesting,” which got a lot of laughter from the audience.

Andrew’s presentation, was quite confessional in its tone. It wasn’t a marketing case, but simply a candid, off-the-cuff recounting of his side of the story, told in a straightforward manner, free of spin or acrimony. If there was anyone in the audience who didn’t have any sympathy for him at the start of the evening, his sincere “aw shucks” manner won them over by the end, judging by the crowd that gathered after the presentations were over.

Leesa Barnes — who presented a case study on what not to do when podcasting — summarizes it quite nicely in her blog entry on CaseCamp:

I tell you, Andrew doesn’t have an evil bone in him. He has this child-like innocence that makes you just want to hug him for days. He reminds me of a teddy bear, only way less plump and not at all fuzzy.

Of course, he summed up what happened between him and Amanda. I think it was a therapy session, to be honest. He didn’t paint her in a bad light, on the contrary, he took responsibility for what happened and said it was like a marriage that had gone downhill.

At the end of the day, Andrew has taken the high road in all this. He never once painted Amanda in a bad light, never posted email communications on his blog, nor did he use Rocketboom as an opportunity to make the other party look bad.

After the Presentation

After the presentation, I walked over to chat with Drew, who remembered me from the Mesh conference, thanks to a little accordion playing. I introduced him to Wendy, and he introduced me to Elspeth, who also works at Rocketboom.

“Have the fanboys calmed down yet?” I asked.

“Not really,” he replied, pulling out his Blackberry. “Take a look at this,” he said, dialing up some recent email. “I hope you go under and have to flip burgers for the rest of your life,” he said, reading one of his messages. He read a few more nastygrams, all with the resigned bemusement of someone who sees the humour in a bad situation.

“I glad to see it’s not getting you completely down,” I said, “and who knows, if you put on some good shows over the next few weeks, maybe people will turn around and make a Simpsons admission: We’ve given the word ‘mob’ a bad name!

At the end of our conversation, I asked Drew if I could get a photo of him posing with the accordion and if I could post the videos I shot of his presentation. he said “yes” to both.

Videos Go Up…Videos Go Down…Videos Go Up

I posted my videos on Saturday morning. They were getting a decent number of views when I got an email from Drew asking if I could take them down. he explained that he’d leave the final decision up to me, but that he was feeling a bit iffy about them since he hadn’t seen them yet.

I decided to take them down. He’s taken a lot of heat and undergone a lot of stress over the past couple of days and I thought he deserved a break.

Andrew changed his mind about the videos a little later on that afternoon, but by that point, I’d already left the house to attend a bloggers-only Q&A session with David Cronenberg at the opening for the Andy Warhol “Supernova” exhibit at the Art Gallery of Ontario. Drew was there, and he told me that he’d had a chance to see the videos and that Mark Evans had convinced him that they should go up. Hence the previous blog entry, in which the videos make their return to the blog. You can click on either of the two images below or click here to see the videos.

Another Video of the Event

Bryce Johnson also shot some video of the event, which you can see here.

My Take on the Whole Thing

The story of the departure of a popular and attractive host from an internet “fake news show” isn’t the biggest news in the world, and while it’s made quite a splash in the news, it hardly qualifies as a tragedy. While Rocketboom does have a considerable viewer base, I’m certain that the vast majority of people have never seen one of its webcasts. Should Rocketboom collapse and disappear from the internet, there’d be a hue and cry from its fanbase, but we’d all eventually move on.

However…

I make my living off the internet, and so does the company for whom I work. I didn’t fall into this line of work by happenstance; even in high school, I was betting on the hope that technology would advance to the point where an intersection between computers, entertainment, information, education, creativity and shameless self-promotion would exist. The success of projects like Rocketboom means that such an intersection not only exists, but is viable as both a business and a way of life. To use marketroid-speak, it “validates the space”.

Simply put, when Rocketboom succeeds, I succeed. Hence my interest.

What I know of Drew, I know from the limited amount of contact I had with him at the Mesh conference as well as CaseCamp and last night’s gallery opening. I know less about Amanda, other than she was quite congenial in corresponding with Wendy when she was working at Top 10 Sources (here’s Amanda’s “top 10” list on that site). Based on the success of Rocketboom and the offers made to her by internet bigwigs like Jason Calacanis, she can go far, and I hope she does.. As for Andrew, if he can connect to Rocketboom’s fanbase over the next few weeks — a daunting proposition, but one that he can manage — he too can enjoy some success, and I hope he does.

I am inclined to agree with the statement that Drew made at CaseCamp: that he didn’t fire Amanda, but that she was itching to start a Hollywood career and that there were problems with communications and missed expectations between the two of them. This is based primarily on considering this simple question:

In Amanda’s departure, who benefits most?

(I’m donning the flame-proof suit right now.)

And Finally, the Glamour Shot


One of a gazillion glamour shots of Amanda Congdon.

Poor Drew: although the original concept behind Rocketboom is his, Amanda gets all the glamour shots, thanks to being both an attractive young woman and in front of the camera. Here’s my attempt to balance the scales a little bit: I give you Drew’s glamour shot, with accordion, taken at last night’s party at the Art Gallery of Ontario. Click it to see a larger version (you can also see it on Flickr.


At long last, Drew gets his glamour shot, avec the accordion.

Categories
Accordion, Instrument of the Gods It Happened to Me

RailsConf 2006: Where AC/DC, Stravinsky and Ruby on Rails Meet!

(This article also appears on Tucows Farm.)

I had the distinct honour of being invited to play an accordion opening number for Adam Keys’ most amusing presentation, AC/DC, Stravinsky and Rails. I played AC/DC’s You Shook Me All Night Long, and did a bonus round of Big Balls at the end of the presentation based on a request by someon ein the audience for more AC/DC on accordion. To Adam and the guy who asked for more accordion, I salute you with a filet mignon on a flaming sword!


Adam Keys at the start of his presentation.

Discover Yourself

Here’s a fact about AC/DC songs: if you know the title of the song, you also know its chorus. Consider the songs on Back in Black: You Shook Me All Night Long, Shoot to Thrill, Hells’ Bells and so on — they’re both the songs’ titles and refrains!

Something similar happens with Rails: if you know the URL of a page in a Rails application, you can easily infers it controller and possibly even an action within that controller.

Explore the Space

“AC/DC are masters of the tasteful use of space,” asserted Adam, who then demonstrated this by playing the opening sequence to Back in Black. It’s a pretty clean opening, with straight-out chords and only a little riffing. “Imagine this song dones by Van Halen,” said Adam, who then proceeded to pantomime Eddie Van Halen playing the opening chords by packing them full of the wheedly-wheedly-wheedly guitar noodling that is his stock in trade. By showing restraint, AC/DC made the song great.

The design of Rails encourages tasteful restraint, a necessary antidote to the programmer tendency to throw “everything including the kitchen sink” into an application. Adam summarized it by saying “Rails codifies resistance to this urge”.

Consistency

One of the nice things about AC/DC is that in their 30 years, they’ve been consistent. “You know they’ll never slip a ballad on you.”

Rails enforces a similar consistency by making it easy to write to a specific set of conventions.

Intutive

The space that AC/DC leave in their songs lets them rock out. It allows lead guitarist Angus Young the freedom to run about on stage while playing. The simple structures of their songs also make them easy to grasp — “Why dig when you can just know?”

Rails is also set up in a way so that it’s easy to “rock out”. The directory structure of a Rails app makes it easy to find things. Other frameworks force you to go spelunking. The “why dig when you can just know?” philosophy is just as apt with Rails.

Bus Factor

The “Bus Factor” is the number of people in a project that have to be hit by a bus before the project becomes defunct. In the case of AC/DC, who suffered a tremendous blow with the death of frontman Bon Scott, the Bus Factor is greater than 1. They ended up taking on Brian Johnson as their lead singer and came back with their best-known and best-loved album, Back in Black.

Adam pointed out how Van Halen weren’t quite the same after the departure of David Lee Roth (they’re better referred to as “Van Hagar”) and the Rolling Stones would probably be doomed if either Mick or Keith left.

Although Ruby on Rails has a formidable “face” in the form of David Heinemeier Hansson, each member of the Rails Core group makes significant contributions. Their organization is quite flat — they’re more a “trusted group of people” rather than “a wizard and his monks”. Even if David were to be hit by a bus — or, more likely, killed in a supermodel “walk-off” competition a la Zoolander — there’s enough talent in the Core group that Rails could go on. Like AC/DC, Rails’ Bus Factor is greater than 1.

Flatten the Cost Curve

Let’s face it — an AC/DC song can be conceived, written, rehearsed and recorded in a single day. The same can be said for Rails apps — Rails makes it easy to put together a working application in a small fraction of the time it would take using other languages and frameworks.

Stravinsky’s Rite of Spring

At this point in the presentation, Adam introduced Igor Stravinsky’s controversial Rite of Spring. If AC/DC’s music could be used as a metaphor for Rails, Rite of Spring, with its complexity, could be a metaphor for frameworks like J2EE.

Some observations:

  • Rite of Spring requires a conductor. The orchestra required to play the piece is comprised of 100 musicians.
  • Rite of Spring has unchanging requirements and “big design up front”. It’s classical music. The ink is dry.
  • Rite of Spring is complex. Adam showed the audience a single page of the score; it has been described as “piano music for a monster 29-handed alien”.
  • Rite of Spring has hard-to-grasp rhythm. Whereas all AC/DC songs are in 4/4 time; Rite of Spring changes meter and uses odd time signatures, such as 11/4. Adam made the statements that software “should be closer to nursery rhymes” and “shouldn’t be more clever than our users can handle”.
  • Rite of Spring is unapproachable except by experts. In order to even be considered to be a musician in an orchestra that will play the piece, you should have at least 11 years of musicianship under your belt; with an orchestra of 100, that’s 1100 combined years of experience. “Let’s not make software like that,” Adam said.

Flavours

AC/DC came in two flavours: the Bon Scott version and the Brian Johnson version. Rite of Spring comes in at least a couple of flavours too: there’s the full orchestral version and a two-piano version. As for Rails, you can omit things from the core distribution, or augment it with plugins, gems and monkeypatches.

Fight!

Adam says that AC/DC music has most certainly led to brouhahas, and as a DJ at an engineering students’ pub, I have to concur. Rite of Spring, with its strange meters, atonalities and dissonances and theme of human sacrifice, caused the audience at its 1913 premiere in Paris to riot.

Rails is no different. As “opinionated software” put together by an opinionated developer, and as a framework that’s making moves onto territory claimed by Java, it too has led to all sorts of arguing. Just Google the terms “Rails” and “Java” to see what I mean.

All these are examples of different things inspiring passion, which is just as important as tools and people.

Categories
Accordion, Instrument of the Gods It Happened to Me Music

Last Night’s "Give Me Liberty" Street Party

The neighbourhood in which Tucows is located — Liberty Village — is undergoing some interesting changes as it transforms from a neglected industrial area of old factory buildings into a hub of techies and creatives. One of the nice side-effects of this change is the annual “Give Me Liberty” street party, an open-air after-work party where the denizens of Liberty Village get together for good food, beer, music and general carousing.

Ever since I started working at Tucows — three years ago this July — I’ve been invited to play accordion onstage at the start of the party. This year, although I wasn’t contacted, they automatically added me to the playlist. I was a little tied up at work at the time, but they gladly slotted me in between DJ sets at 7:00 p.m.

I loved that there was some kind of assumption that I’d be playing — I rather like being considered an important element of a party for the neighbourhood in which I spend most of my waking hours. The crowd was great — many people told me that they were looking forward to my performance. You guys are the best!

(I promise I’ll make time for sound check next year!)

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Accordion, Instrument of the Gods It Happened to Me

Scenes from a Great Tuesday

Tuesday was loads of fun, from catching the Mesh conference to doing a quick accordion bit for G4TechTV with Amber to joining Maria and Deenster for chicken wings at Sneaky Dee’s afterwards. Here’s one of Maria’s photos of me performing outside Sneaky Dee’s — I think it would make a great album cover:

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Accordion, Instrument of the Gods Toronto (a.k.a. Accordion City)

Like I Keep Saying: Accordions Get You Chicks

Here’s a news item from Accordion USA about an upcoming Accordion City accordion wedding, and it’s not mine!

(Wendy and I joined the band for a couple of numbers at our wedding reception. I should get around to extracting the performance and posting it online.)

On May 27th, at 1.30 PM, Acclarion, Canada’s premier classical accordion and clarinet duo, invites you to join them as they share their love for music and each other in a special Concert-Wedding to take place at the University of Toronto’s Edward Johnson Building [80 Queen’s Park Crescent].

Becky Sajo and David Carovillano were two strangers with a common interest that would unite them in more ways than one. Having met at the University of Toronto, Faculty of Music, Becky with the clarinet, and David with the accordion, it was a chance opportunity to perform together in David’s final year of his Master’s degree that would change their lives forever.

“I asked Becky to perform Ray Leudeke’s ‘Serenity’ for accordion and clarinet on my final recital based on someone’s recommendation. She responded with a husky, business-like tone that she would ‘think about it’. After agreeing to do it, we learned quickly in rehearsal that we had a lot more in common than just music. Soon, after school was complete, we were planning our future together, both musically and personally!” says David.

With their musical future looking bright, Becky and David are thrilled to share their special day with family, friends, and music enthusiasts. Joining them for the concert portion of the event will be harpist, Erica Goodman, and pianist, Angela Park debuting new compositions by David. Acclarion will perform a sixty-minute concert of ‘ear tickling music’ on stage at University of Toronto’s Walter Hall, Edward Johnson Building, to be immediately followed by their wedding ceremony on the very same stage. A cocktail reception will follow and all are welcome to attend [they ask that you email an RSVP].

My heartiest congratulations to Becky and David!

Categories
Accordion, Instrument of the Gods

An Accordion Comic, Just for Kicks

(This comes from Drew Weing’s Toothpaste for Dinner.)

Categories
Accordion, Instrument of the Gods

More People Spell It Correctly

A new feature in Google called Google Trends lets you see the volume for search terms over time. Here’s the result for a Google Trends search for “accordion” (correct spelling) versus “accordian” (incorrect spelling):