Here’s Philip leading the “Clay Shirky’s Power Law” discussion:
Here’s Philip leading the “Clay Shirky’s Power Law” discussion:
Be sure to read Lisa’s blog, Learning the Lessons of Nixon.
Here’s Dave Winer, hosting the opening session…
“Okay, who owns this accordion? Anyone? Anyone?”
I’ll be in Boston this weekend, partly to see The Redhead, but also to attend BloggerCon 2.0
(taking place at Harvard this Saturday, April 17th) to meet with other
bloggers, be the Tucows goodwill ambassador along with Boss Ross and perform the national anthem on accordion for the opening keynote (I’ll do my best to throw in O Canada too).
Other Canadian registrants with whom I am acquainted include:
And a special Easter greeting to all the padres out there, like AKMA;
the story behind this holiday is truly what their work is all about. I
raise a Reese’s peanut butter egg on a flaming sword to all of you!
Since it’s fitting with the holiday, let’s look again at one of the most unintentionally funny juxtaposition of signs:
Perhaps Atkins died for them.
The deVilla family tradition is Easter Mass followed by brunch at the Boulevard Club, where my sister is a member. (I like to kid her every now and again by reminding her that The Official Preppy Handbook was a satire, not refernce material for living.)
“Look, Muffy, a book for us.” Required reading back in the ’80’s.
This one was particularly special, as it marked another occasion of Dad
being out and about (he’s getting more adept with his prosthetic leg and
walker) and the first Easter brunch with my nephew Nicholas James
deVilla-Choi, good-natured Zen master (like his uncle) and newest
member of the family.
The dress code for Easter brunch at the “Bullie” is not unlike the
codes of behaviour for online communities: unwritten and subtly
enforced. The tried-and-true combination for men is still blazer, shirt
and dress khakis (bonus points if the blazer has gold buttons and the
shirt is white with blue oxford stripes). I opted for slightly dressier
this year, a look I call “the hip salaryman“: black dress pants, dark blazer, deep blue shirt and a blue-and-gold paisley tie given to me by Boss Ross.
Ross, noting my love for ties, gave me a set of his old and
no-longer-worn neckwear, figuring I’d pick the ones I liked and leave
the rest with Goodwill. Many of them are quite workable, but one stands
out: the one with images of Buckwheat from The Little Rascals. Probably
bought during Eddie “Buh-wheat sez ‘O-tay!'” Murphy’s reign on Saturday
Night Live, it’s probably impolitic for anyone who isn’t black to wear
it these days. I’ve only seen Ross in a tie once, so it’s hard to
imagine him in one, never mind this one.
Before Macaulay Culkin, there was Buckwheat.
If you think you can pull off wearing the Buckwheat tie without committing a faux pas (perhaps you’re a black stand-up comic), drop me a line explaining why you’re qualified and I’ll send it to you.
Aside number two:
Looking up a decent link for “salaryman” in The Urban Dictionary led me to its only entry for the term:
gray suit, blank expression, an inability to think for himself.
not to be confused with office lady, effectively the polar opposite
of the salaryman, characterized by inability to be paid any more than
half the amount of a salaryman and by copious pinch marks on backside.
Meee-ow! I think that’s the undercurrent of bitterness that runs through a number of people who go to Japan and teach English.
There’s always someone who breaks the dress code, and this year was no
exception. At the table just behind ours sat a woman, probably in her
late forties, who wore a gauzy sun bonnet almost large enough to
function as a tent or parachute (she kept it on for the duration), a
white jacket that showed enough cleavage for anyone near her to perform
a breast cancer check and a white mini-skirt that would’ve been more
suitable at a night club. I have a very strong hunch that she was at
last night’s playoff game. flashing her breasts at the Toronto Maple
Leafs as a reward for their victory.
Music for brunch was provided by a lounge musician who played the lead
part on grand piano and used an electronic keyboard with auto-rhythm
backup to handle the backing chords, bassline and drums. He played
music in a muzak-ish vein, and at one point I noted his “hey, how ya
doin'” piano bar treatment of the Moody Blues’ Nights in White Satin. What really caught my attention was a familir ditty that I slowly realized was a bossa nova treatment of The Police’s Every Breath You Take.
“You know you’re getting old,” I said to my sister, “when the music of your youth gets played this way.”
The club is very good about accomodating kids at Easter. There’s a
special buffet just for kids (I taught my two-year-old nephew Aidan the
word “buffet” while carrying him in, and he said “BUFF-FAY! BUFF-FAY!
BUFF-FAY!” non-stop for the next half hour) complete with pizza rolls,
chicken fingers and french fries. Someone in an Easter Bunny costume
wanders from table to table giving gift bags to kids. Someone else came
with a giant rack of uninflated balloons and a large canister of
compressed air and made elaborate balloon animals and toys for all the
kids. In a sunny room just off to the side of the dining room, there’s
a supervised arts and crafts area where kids can make Easter baskets
and bunny hats.
Aidan, who last year had no fear of the Easter Bunny, covered his eyes with his forearm until the giant rodent went away.
Later, while I was helping Aidan make a bunny hat in the arts and
crafts room, the lounge pianist — on break — wandered in to look at
what the kids were up to. As he approached Aidan and me, Aidan took my
hand and put it over his eyes until he went away.
“Nothing wrong with a healthy aversion to lounge acts,” I told Aidan afterwards, giving him a pat on the head.
a multi-part Flash “expose” on the evil Catholic Church. It’s kind of
like Jack Chick’s anti-Catholic rants, but hipper and funnier, and reminds me of why I like the sound of tinfoil hats crinkling so much.
Last but not least, The Redhead
sent my parents an Easter bouquet, which arrived at their house
yesterday. If life were like a videogame, you’d see the text “+100”
rising from Mom and Dad. Redhead, as they put it in the mangled English
of Japanese videogames, “A WINNER IS YOU!”
The people who bought the house in which I’m currently living are
seeing the place with their own eyes for the very first time. I spent
all of last night doing clean-up, straightening out, installing the new
shower curtain I’d been meaning to get, and so on.
(Hey, housemate, where’d you disappear off to? A little help would’ve been appreciated. You get to clean the oven next time.)
The outside of the house is a flurry of window-washers at the moment;
and the blinds-cleaners are arriving soon. Thankfully, I’m not paying
for their services — my present-and-soon-to-be-former landlord is.
Being the guy whose name is on the lease, I’m sticking around the house
during the “window” when the new landlords are expected to visit and
inspect their new property. I’m also going to nag them about replacing my toilet from the 1920s.
It’s always the same drill at airport security: lay all my carry-on
items and coat on the x-ray machine’s conveyor belt, saving the
accordion bag for last. Then, walk through the metal detector and wait
for my stuff to emerge from the other end of thew x-ray machine.
Laptop…knapsack…coat…accordion bag.
Note the look of surprise on the x-ray machine operator’s face. Watch
as s/he quickly stops the conveyor belt just as the accordion bag is
halfway outside the machine and puts it into reverse for a second look.
Inside, an accordion is a mechanical forest, full of pistons, levers
and other clockwork bits that separate it from ordinary luggage. I
alway get told to take it to another security person for manual
inspection, where it gets a thorough swapping with a cloth which is
then fed into a device which I assume “sniffs” for explosives.
At Pearson (Toronto) International Airport, the security person at the
x-ray was a woman who asked me if it was a typewriter. On the way back
from Logan (Boston), a guy in dreads said “Heeeeey. Nice accordion,” nodding in approval.
On Friday, we had a nice little gathering at Clery’s with me, The
Redhead, her friend Jenn, Ejovi Nuwere and Chris Connelly. We enjoyed a
fair bit of beer, good food, great conversation, and I got to perform a
couple of numbers for the table. Clery’s was packed with people that
night, and handful of folks who were in the area around our booth
joined in the singing.
One of the immutable laws of barrooms is that any given bar on any
given weekend will have someone celebrating their birthday. Another of
these laws is that if one of their friends spots you with an accordion,
they will walk up to you and ask you to play “Happy Birthday” for the
celebrant. Both laws held that evening, and I was led to a blonde woman
wearing office casual clothes and a “Kiss me, I’m 30” button on her
lapel.
They invariably forget to tell me what the birthday person’s name is,
but I’m very good at throwing the “Quick, what’s his/her name?” glance
just as the song hits the “Happy birthday, dear ___________” point.
I think Ejovi is an accordion believer now. “I have got to get me an accordion!” he said.
“Forget social software,” I said, holding the accordion over my head as if it were the Golden Fleece, “this is social hardware!“
On the way out, a guy who’d sung along to some of the tunes put his hand on my shoulder and said “Hey man, where you goin’?”
“Gotta go, man,” I said, pointing to Wendy, and I followed her out of the bar.
Since the weekend promised nothing but rain, rain and more rain, I
carried the accordion its padded accordion bag (normally, I just carry
it “bare”), which is emblazoned with the accordion brand name “Weltmeister”, a brand of accordion.
As Wendy and I walked towards the T station, a young woman approached me, pointed to the bag and asked “is that a keg?”
Come to think of it, I could be a one-man party with an accordion
strapped to my front and a keg to my back. Maybe my next birthday…