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It Happened to Me Tampa Bay The Current Situation

Tallahassee mayor and Florida gubernatorial candidate Andrew Gillum at Café con Tampa

Photo by Tampa Bay Times. Click to see the source.

Someday, perhaps a decade from now, when we’re all looking back at how far the Tampa Bay area has come, we’ll look back and remark at the key role that Café con Tampa played. Every Friday from 8:00 a.m. to 9:00 a.m. in the Oxford Exchange’s Commerce Club, Tampa’s most active, engaged, involved, and well-dressed citizens gather to hear important topics given by interesting speakers while enjoying a delicious breakfast in beautiful surroundings.

Friday’s speaker at Café con Tampa was Tallahassee mayor Andrew Gillum, who’s campaigning in the Democratic primary and aiming to become Florida’s next governor.

Photo by Yours Truly. Click to see at full size.

It’s been a while since I’ve had a chance to attend Café con Tampa, as work and my speaking and conference schedule have kept me busy. This was the first one I’d been able to attend in weeks. It was good to be back.

Traffic and a shortage of parking spaces (there’s a lot of construction around Oxford Exchange) meant that I missed the first twenty minutes of Gillum’s appearance. As I entered and paid my admission — $12 well spent, in my opinion — I was told “You’re in time for Q&A…the best part!”

Photo by Yours Truly. Click to see at full size.

I walked in just in time to catch a rather aggrieved older gentleman asking where Gillum got the notion that the law preventing former felons from voting even though they have served their time in prison is a relic from the days of Jim Crow. Gillum, who’s probably no stranger to this sort of question, explained the true intent of this kind of voter disenfranchisement with great aplomb and considerable charm.

Photo by Yours Truly. Click to see at full size.

Among the other topics discussed were:

Photo by Yours Truly. Click to see at full size.

Near the end of his session, Gillum talked about the traditional greeting of the Masai people of southern Kenya and northern TanzaniaKasserian engeri?, which translates as “And how are the children?” He pointed out how that greeting underscores the high value that the Masai assigned to the well-being of children, and how much better we all could be if we adopted the same attitude.

Note: There’s a little more to the greeting “And how are the children?”. According to this 2012 Guardian article, the typical Masai greeting is sopa, which translates as “Hello”, and it’s the start of a long greeting process which can include “How is the homestead?”, “How is the weather?”, “How are the cows?”, and “How are the children?”. This isn’t all too different from conversations that any one of us may have had here in North America, where the question “And how’s your family” is likely to come up. Still, the fact that the use of “How are the children?” as a greeting is surprising enough to be a memorable rhetorical device while “How’s business?” isn’t illustrates where our priorities lie.

Photo by Yours Truly. Click to see at full size.

As with most Café con Tampa gatherings, there were more questions than time for them. The questions continued in the atrium, with Gillum surrounded by all manner of recording devices:

Photo by Yours Truly. Click to see at full size.

I went down to the atrium to hear the questions they were asking Gillum, and in the process met with two gentlemen from St. Petersburg’s ACT (Arts Conservatory for Teens): Herbert Murphy and Alex Harris, who spoke at Café con Tampa a couple of weeks ago. They saw the accordion — which I bring to events like this because it starts conversations — and we got into a great conversation about music, technology, and where the two intersect. Herbert and I even talked about having me do a presentation with their students, and I’d be more than happy to take them up on that offer. If you want to meet interesting people in Tampa Bay, and possibly collaborate with them and start something potentially great, you should check out Café con Tampa.

Café con Tampa is a weekly gathering where people interested in the issues that affect Tampa Bay and the world beyond meet to learn and share ideas with interesting, entertaining (and sometimes infuriating) guest speakers. It takes place every Friday between 8:00 and 9:00 a.m. in the wonderful setting of Oxford Exchange, a combination of restaurant, book store, gift shop, co-working space, design studio, event venue, and one of the best “third places” I’ve ever set foot in. It’s attended by an interesting audience that’s often a mix of movers and shakers from the worlds of arts, business, academia, and government, and put together by local heroes Del Acosta and Bill Carlson, President of the communciations agency Tucker/Hall. Admission is $12.00, and it not only lets you into the event, but also gets you Oxford Exchange’s delicious breakfast spread. If you want to see interesting presentations and have great conversations with some of the area’s movers, shakers, and idea-makers — myself included — you should attend Café con Tampa!

Here are Café con Tampa presentations that I’ve written about:

 

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Tampa Bay

Yann Weymouth at Café con Tampa

I should’ve known that Yann Weymouth, head of design for I.M. Pei’s projects at the Louvre and the National Gallery of Art in Washington and designer of the Salvador Dali Museum and the upcoming James Museum of Western and Wildlife Art in St. Petersburg, Florida, lives in the Tampa Bay area.

Oxford Exchange. Photo by Yours Truly.

I found out only because he was the speaker at this morning’s edition of Café con Tampa, a weekly gathering where people interested in the issues that affect Tampa Bay meet to learn and share ideas in the wonderful setting of Oxford Exchange,  a combination of restaurant, book store, gift shop, co-working space, design studio, event venue, and one of the best “third places” I’ve ever set foot in. Every Friday between 8 and 9 a.m., Café con Tampa features not only interesting guest speakers, but an interesting audience that’s often a mix of movers and shakers from the worlds of arts, business, academia, and government. If you want to have interesting conversations with some of the area’s movers, shakers, and idea-makers (and enjoy Oxford Exchange’s delicious breakfast spread), you should come to Café con Tampa.

20th century work

Weymouth opened his presentation with a Churchill quote: “We shape our buildings; thereafter, they shape us.”

He then talked about his first collaboration with legendary architect I.M. Pei: the East Wing of the National Gallery of Art in Washington, D.C.. He talked about the goals they had to achieve: being able to house a lot of art, handle large volumes of visitors, fit in the triangular zone defined by Pennsylvania Avenue, respect the existing architecture, and of course, be beautiful.

The East Wing of the National Gallery of Art.
Creative Commons photo — click here to see the source.

“Notice the glass pyramids in the design,” Weymouth said. “Do you see an evolving theme?”

After the National Gallery project, he left Pei — still remaining friends with him — to found his own architecture firm where he designed galleries and pioneering high-tech lofts.

The Louvre Pyramid.
Creative Commons photo — click here to see the source.

When I.M. Pei became the architect for the Louvre Project in the early 1980s, he invited Weymouth to be the chief designer. This was a project filled with challenges:

  • The building was a major traffic problem, what with its being a kilometer (three-fifths of a mile) long
  • It blocked a passage between Paris’ left and right banks
  • There was no easily-visible main entrance, and its signage and wayfinding were poor
  • Its courtyard was a parking lot of the Ministry of Finance and Louvre staff

Also, in a conversation I had with Weymouth after his talk, there was also the issue of its being championed by then-president François Mitterand, the Fifth Republic’s first socialist leader. “A number of people left France during that time because they were concerned he’d turn the whole country communist,” he said.

The design solution he came up with was to create in the courtyard — the only space for new construction — an underground city. One-third of it is open to the public in the form of parking, a shopping mall and restaurants, with other space for art storage, operations, and roadways.

If you’re even the slightest bit worldly, you know what’s above it — the now-iconic glass pyramid. Weymouth explained the rationale behind the pyramid: “If you’re at water level by the Seine and looking at the Louvre, there’s no clear entrance. You also need some way to bring light into the underground complex.” So he designed a pyramid-shaped skylight, a classic platonic solid that would clearly mark a place to enter, and provide natural light to the subterranean expansion.

“It was controversial,” Weymoth remarked, “but so was the Eiffel Tower.”

21st century works

Click the photo to see it at full size.

Why did Weymouth move to Tampa Bay? “Because of the airport,” he said, along with the brain trust of creatives that he saw accumulating in the area. It’s becoming a hub for culture, business, and technology.

In the competition to redesign the Dali Museum, the original request for proposals was for an addition to the existing building, which was a converted warehouse by the water’s edge. “I did not hew to that requirement,” Weymouth said, stating that the original building was never meant to be a museum, but a storage facility that was vulnerable to storm surges. His design, which we now know as the Dali Museum (pictured above) was a whole new building that stayed within the budget of the original proposal for an addition.

The Dali’s glass “blob” was inspired by Buckminster Fuller, whom Weymouth met in the 1960s when he was a student. He couldn’t use Fuller’s method, which was meant for geodesic spheres, for his blob design. He found a company in Milan that specialized in making free-form geodesic designs, and the result is the Dali’s blob, in which no two panes of glass are identical, and where different sizes of glass are used to accommodate different amounts of structural stress. The design was facilitated by technology that had only been around for about a decade: a combination of computer-aided design, computer-aided manufacturing, and computer-aided stress analysis.

Weymouth is currently working on the James Museum of Western and Wildlife Art, located in downtown St. Pete at the junction of Central and Beach. It’ll be larger than the Dali. “I’m taking an old office building with a parking lot on top of it, and turning it into a space that will evoke the southwest.”

Q&A

During the Q&A, a member of the audience identified himself as the nephew of British-Iraqi architect Zaha Hadid (pictured to the right), creator of some of the world’s most beautiful super-futuristic buildings — go to her Wikipedia page and look at her designs. Weymouth’s wife Susana complimented her work and pointed out to the audience that Hadid was the first woman to win the Pritzker Architecture Prize in 2004. Dame Hadid is yet another superstar architect whom I didn’t know was based in Florida (she died in Miami in 2016).

Someone asked him what his plans were when he retired. “I not going to retire,” he replied. He pointed out that I.M. Pei designed the Museum of Islamic Art in Doha, Qatar in his 90s, and that he himself was planning to continue with his work. “We become freer and more creative with experience, and at the same time, more practical.”

In response to a question about the degree to which he exceeded the budget for the Dali Museum by designing a whole new building instead of an addition, Weymouth replied that he didn’t spend more than the money allotted. “You respect the budget. You do it by prioritizing. It’s like cuisine: you boil away what’s not crucial, and you use listening and logic, covering both practical and aesthetic issues.”

When asked what he thought the two greatest innovations in construction were, Weymouth’s answers were:

  • Computers. When he started at MIT, architects drew on tracing paper with pencils in two dimensions. With computers, they now design in three dimensions, and when they make changes to a single drawing, it gets reflected in all relevant drawings. He said that there was some concern that computer-aided design would result in all buildings “looking like grid paper”, but instead, coupled with “robots that can custom-cut”, has allowed architects to be even more creative.
  • Materials. “There’s fiber-reinforced concrete now,” Weymouth said, along with new forms of plastic and steel. “The glass industry has been revolutionized” — back when they were building the Louvre pyramid was being built, it required making changes to a French glass factory (with strong encouragement from then-French president Mitterand) to make low-iron glass, which is a standard today.

In closing…

I’ll close with an observation about Tampa Bay that Weymouth made (I’m paraphrasing here):

If you wanted to be at the heart of culture and interesting things happening in art around 1910, you wanted to be in Paris. Around 1920 or ’21, Berlin was the place. In the 1950s, it would be New York. And today, it’s Tampa Bay.

Bonus rock star fact

Yann’s not the only rock star Weymouth! His younger sister Tina was the bassist for the Talking Heads.